BeiJing Bonsai

　　　　The Sichuan bonsai art's development, experienced one to conform to simplicity in the modelling to numerous, again from numerous to Jan's process, preceding “Jan” was simple, latter “Jan” was succinct. Is the same with other bonsai school, according to “tree posture near picture” the modelling principle, has the nature class first, afterward after the imitation veteran's posture and the change, summarized unceasingly has displayed this kind of posture and the change technique rule, through all previous dynasties bonsai artist's creation and the consummation, the induction was finally 10 carriages and 3 types, 5. Bonsai master of art Chen Sifu in his monograph "Bonsai Pile-head Streamer Grips Technique" in a book wrote: “if by the rule class even technique type pile-head theory, Chengdu and the Western Sichuan area's branch is curving, the school regards the declinator the modelling, is imitates the Asan high and cold place for a long time pine's and cypress's low senile which is constrained by the snow, after the snow melting, the treetop stands erect, the branch by hangs hands over or slightly has the inclined shape. The even type rule type pile-head, a plate gradually levels because of this to the plate end toward the declivity, or the technique plate base declinator, the plate slightly declivity levels.”This indicated that the rule class originates from the life. But it is higher than the life, is to the nature artistic summary and the artistic processing, and then like the classical poetry “the classical Chinese poetry rules” are the same, causes in it centralism demonstration tradition esthetics the basic principle: Symmetrical US, is balanced US, rhythm US, in the unification strives for the change, in the change to have the unification, lively, but the order, is grave and is nimble and resourceful. “it got rid of the natural phenomenon to the bonsai art blind monitoring, by the sober rationality, the abundant emotion is controlling its reflection object. It reappears the nature at the same time, on the other hand on own initiative displays the human to the natural esthetic ideal. In art formally, it takes the basic structure principle by the rigorous classical Chinese poetry rules, it is in bonsai's `standard Lushi '.”(Tang spring comes: "the Rule Class Stump US's Exploration", carries "Chengdu Bonsai Research").

  　　Because just the rule class has the very high esthetic value, therefore, the nature class along with it “the desalination”, only retained few clift type slowly, now preserves complete “old age” the stump bonsai is the most convincing testimony. The Qing Dynasty last stage, the lunar calendar on February 15 Chengdu goral palace holds the flower show (to continue every year until now), the regional flower growers and the trough Geishas deliver own manufacture formation's each kind of stump bonsai at the flower show to sell, this time's stump bonsai has used “three types completely five” modelling technique. Until now, Sichuan's stump white grips, regardless of being what form, basically has not exceeded the technique which and the modelling rule this time forms and widely uses.

       　　Sichuan potted landscape, although sees the clue far in two Song Yi, particularly the Anyue County circle thought that the hole and in the Dazu County big buddha bay Morocco crag statuary, the flying apsaras with passes on the mountain ten thousand bonsai which the female hand holds, has been very similar with today's shallow water potted landscape, but because bright, the clear bonsai inclines to the stump, after near millennium 40-50 ages, only then by one group of horticulturist, painter. The bonsai “plays the family” the intimate cooperation, causes it to be mature.

    　　Generally speaking, four Sichuan bonsai's artistic style: Stump by plain rigorous, the dragon tune varied is a characteristic; The potted landscape by the imposing win, high, hangs, steep. Deep, has displayed the Sichuan Province water natural style typically.